Wrap up
(Stravinsky room)
Discussion on JOTS
Open research questions
Potential funding calls for collaborative proposals
Breakout sessions #7
OrchView score annotation platform (Stravinsky room)
Performance applications (Studio 5)
18th-19th C analysis (Shannon room)
Breakout sessions #6
20th-21st C analysis 2 [Stravinsky room]
Generative Orchestration [Studio 5]
Breakout sessions #5
20th-21st analysis 1 (Stravinsky room)
Composer-performer orchestration research ensembles (Studio 5)
Breakout sessions #4
Recording protocols 2 (Stravinsky room)
Timbre semantics (Studio 5)
Breakout sessions #3
Recording protocols 1 (Stravinsky room)
ACTOR website and Online Orchestration Resource (Studio 5)]
Breakout sessions #2
Taxonomies 2 (Stravinsky room)
Compositional applications (Studio 5)
Student presentations
(Stravinsky room)
Nicolas Farmer 16:30-17:00, SMU, Seeing new colors: Devices of Scriabinian and post-Scriabinian orchestration
Dorothea Lincke 17:00-17:30, HfM Detmold, Acoustic characterisation of concert halls illustrated by the Salle Claude-Champagne
Louis Pisha 17:30-18:00, UCSD, Advancing the state of the art in real-time acoustic modeling and reconstruction for source separation
Kit Soden 18:00-18:30, McGill, Orchestrational prolongations and transformations in operatic and symphonic music
1st-year results lightning presentations - Session #2
(Stravinsky room)
14:30 The state of Orcheil development (Newsome)
14:40 Computer-aided orchestration and artificial intelligence approaches (Esling)
14:50 ACTOR website and future Online Orchestration Resource (Soden)
15:00 Interactive presentation of sound and timbre (Hadjakos)
15:10 Research Ensemble pilot (Hamel)
15:20 Educational Timbre Quiz (Aliberti)
15:30 Timbre analysis in contemporary music (Hasegawa)
15:40 Journal of Orchestration and Timbre Studies (Hasegawa)
1st-year results lightning presentations - Session #1
(Stravinsky room)
11:30 A multi-legged taxonomy for ACTOR (Bouliane)
11:40 Analysing piano and chamber music (Hérold)
11:50 Terminology survey (Noble/Wallmark)
12:00 A lexicon to communicate timbre features (Susini/Rosi)
12:10 Sound field studies in music and 21st century orchestration (Radford)
12:20 Optical music recognition of orchestral scores using commercial software (Fujinaga)
12:30 Recording protocols: ODESSA/CORE (de Francisco)
12:40 ODESSA documentary by the OICRM at UMontréal
Plenary session
(Stravinsky room)
Self-introductions (20')
Administrative business: budget, funding, partnership (15' – McAdams)
Reminder about committee structure and terms of reference
Report from Executive Committee (5' – McAdams)
Reports from Training & Mentoring Committee (5' – Noble)
Reports from Knowledge Mobilization Committee (5' – Wallmark)
Discussion of what is and isn't working in the ACTOR Partnership (60' – McAdams)
Aims and procedures of this meeting (5' – McAdams)
Who's doing what, when & how?
Establish what needs to be done & methodology.
Open up new subjects of collaboration.
Target potential additional funding opportunities.
Keep track of terms used and not understood and who used them for terminology survey.
Role of student note-takers.
Day 1: Reception
Check-in starting at 8:00
Coffee 8:30-9:00
Entrance lobby (in front of Stravinsky)
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Enregistrement à partir de 8h00
Café 8h30-9h00
Hall d'entrée (en face de Stravinsky)