Back to All Events

Introduction to the Analytical Methods of Aural Sonology (Music-as-Heard)

  • Schulich School of Music 555 Rue Sherbrooke Ouest Montréal, QC, H3A 1E3 Canada (map)

Dominique Lafortune, Philippe Macnab-Séguin and Gabriel Dufour-Laperrière presented “Introduction to the Analytical Methods of Aural Sonology (Music-as-Heard)” as part of Denys Bouliane’s graduate seminar “Semiotics and Composing: A Cross-Fertilization, or X-rated vs. IN-rated music in the ShoeBox Cauldron” on Friday, Feb. 26. The theory of Aural Sonology, developed by Lasse Thoresen over the course of his career, studies music as a perceived phenomenon rather than how a piece is constructed or notated.

https://www.actorproject.org/actor-news/2021/3/4/presentation-aural-sonology-the-phenomenology-of-music

Previous
Previous
February 25

Timbre Geeks Networking (TGN)

Next
Next
March 7

Presentation: Timbre's function in the perception of affective intents