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Dominique Lafortune, Philippe Macnab-Séguin and Gabriel Dufour-Laperrière presented “Introduction to the Analytical Methods of Aural Sonology (Music-as-Heard)” as part of Denys Bouliane’s graduate seminar “Semiotics and Composing: A Cross-Fertilization, or X-rated vs. IN-rated music in the ShoeBox Cauldron” on Friday, Feb. 26. The theory of Aural Sonology, developed by Lasse Thoresen over the course of his career, studies music as a perceived phenomenon rather than how a piece is constructed or notated.