3D Audio and Video Recording of fantaisie harmonique for Two Guitar Orchestras
We propose to create an advanced 3D audio and video recording of Jason Noble’s fantaisie harmonique for two guitar orchestras which was premiered at the inaugural 21st Century Guitar Conference (August 2019, Ottawa, ON) with 3D projection art by Kurt Laurenz Theinert.
ODESSA II: Orchestration and Re-Orchestration
In three recording sessions taking place at the Haute école de musique (HEM) de Genève in October, 2019, different orchestral extracts were recorded so as to study several facets of orchestration and acoustics, such as timbral equilibrium and contrast.
Spatialization, Orchestration, Perception: IRCAM Forum Hors les murs, Montreal 2020
Robert Hasegawa and colleagues from McGill, Université de Montréal, the Société des Arts Technologiques (SAT) and local new music ensembles planned an edition of the IRCAM Forum Workshop hors les murs in Montreal (April 2 to 5, 2020). This event brings together diverse Montreal institutions and offers an opportunity for exchanges between researchers and artists from IRCAM and their counterparts in Canada and the United States.
ODESSA: Orchestral Distribution Effects in Sound, Space, and Acoustics
An interdisciplinary symphonic recording for the study of orchestral sound. With the aim to study orchestral blending effects, a joint music production and evaluation of an orchestral recording was realized. Excerpts of the work were recorded in the full orchestral setting or in variable combinations of single instruments, partial or complete orchestral sections performing together, which illustrated timbre blending between the groups.