Workshop on voice, timbre, metaphors and materiality in contemporary music
Following Nina Eidsheim’s Distinguished Lecture "Metaphor as material practice" on November 11, 2024, this joint CIRMMT/ACTOR workshop will focus on vocal and instrumental timbre in relation to the metaphors used to describe them and to the concept of materiality in contemporary music.
Orchestration Pedagogy Workshop
The ACTOR Project Training and Mentoring Committee is organizing the first Workshop on Orchestration Pedagogy. The event will focus on various approaches to teaching orchestration through demonstrations, discussions, and the examination of orchestration syllabi.
CIRMMT Spatial Audio and Immersive Sound Workshop
CIRMMT Spatial Audio and Immersive Sound Workshop
We are eager to share our first CIRMMT RA4 event in 2024, on February 23rd.
The CIRMMT Spatial Audio and Immersive Sound Workshop will bring together experts from across the CIRMMT community, including students, as well as industry partners to cover various aspects of Spatial Audio and 3D Immersive Sound.
Description:
The Workshop will consist of a full day of lectures on several topics relevant to the core themes of Spatial Audio and 3D sound. Besides, there will be a variety of practical demonstrations ranging between an open hardware design for a new multidirectional loudspeaker array for spatial sound reproduction, 3D Ambisonic recordings including live demos with composers/performers with the possibility to listen to the resulting recordings immediately afterwards, as well as listening sessions of intricate multichannel music recordings in 7.1.4. Dolby Atmos in the immersive sound labs.
The workshop will consist of lectures on spatial audio in the morning and activities, performances, and demonstrations in the afternoon.
Spatial Audio Workshop Details
Date: February 23rd, 2024
Time: 9:00 AM - 5:00 PM
Location: A-832, MMR and the immersive labs in -2 (527 Sherbrooke O. Montreal, QC)
Seating is limited and registered attendees will have priority.
Nous sommes impatients de vous convier à notre premier événement de l’AR4 en 2024, qui se tiendra le 23 février.
L’atelier « CIRMMT Spatial Audio and Immersive Sound » rassemblera des experts de toute la communauté du CIRMMT, incluant étudiants et partenaires de l’industrie, pour explorer divers aspects de l’audio spatial et du son immersif 3D.
Description:
L’atelier offrira une journée complète de conférences couvrant une multitude de sujets pertinents dans les domaines de l’audio spatial et du son 3 D. En plus des présentations, les participants auront l’opportunité d’assister à diverses démonstrations pratiques. Ces démonstrations incluront la conception d’un dispositif innovant pour un ensemble de haut-parleurs multidirectionnels, une session d’enregistrement ambisonique 3D avec des démonstrations en direct par des compositeurs et interprètes, suivie de l’écoute immédiate des enregistrements réalisés, ainsi que des sessions d’écoute de musique multicanal dans une version Dolby Atmos 7.1.4 dans nos laboratoires sonores immersifs.
L’atelier débutera par des conférences sur l’audio spatial le matin et se poursuivra avec des activités, performances et démonstrations l’après-midi.
Détails de l’atelier
Date : 23 février 2024
Heure : 9 h - 17 h
Lieu : A-832, MMR, les laboratoires immersifs du -2 (527 rue Sherbrooke O. Montréal, QC, H3A 1E3)
Les places sont limitées et les participants inscrits seront prioritaires.
FluCoMa workshop
On April 14th, the FluCoMa Workshop will take place at CIRMMT in collaboration with the ACTOR project and the support of composer Pierre Alexandre Tremblay, one of the developers of the library. The aim of the workshop is to bring together creative practitioners currently working with FluCoMa and to exchange ideas in a constructive and collegial environment in order to learn about different approaches and uses of the library through the presentation of ongoing projects. Participants can apply to present their projects, to address some potential problems or issues, and find solutions and alternatives.
ACTOR Onboarding Meeting
The event aims to help new student members get acquainted with ACTOR and will include a brief presentation about the project, funding opportunities available, and ongoing research projects. We believe this is a good chance for you to connect, collaborate, and take full advantage of this great community of artists, humanists, and scientists. We also have some great updates about the Student Exchange Funding.
TMC CV and cover letter workshop
Want some help crafting successful CVs and cover letters?
On September 26, at 1:00pm (EDT), the ACTOR Training and Mentoring Committee (TMC) will be hosting an online workshop on CVs and cover letters with professors Robert Hasegawa (McGill University), Pierre Michel (Université de Strasbourg), Lindsey Reymore (Arizona State University), and Caroline Traube (Université de Montréal).
Words and Music: Orchestration for the String Quartet: research-creation with the ACTOR Project
Childhood daydreams, shimmering textures, meteorological phenomena, and traditional Persian music were inspirations for four new string quartets written for Quatuor Bozzini. These were workshopped over a multi-phase research collaboration with four composers and four researchers who tested and developed strategies for timbre-based approaches to string quartet composition. Four unique and colourful approaches to string quartet writing. A co-production of ACTOR (Analysis, Creation and Teaching of Orchestration) and Quatuor Bozzini.
TMC Abstract Proposal Workshop
Want some help crafting successful conference proposal abstracts?
On December 6, at 9:30am (EST), the ACTOR Training and Mentoring Committee (TMC) will be hosting an online workshop on conference proposal abstract writing with professors Robert Hasegawa (McGill University), Malte Kob (Detmold University of Music). The event is open to all ACTOR student members and includes three short presentations followed by breakout sessions for small working groups. Breakout sessions will be available in English, French, and German (depending on submissions) and will discuss abstracts submitted in advance by participants.
Workshop "Smart Instruments for a Stupid Composer: How to Compose for Instruments that do not Exist."
"Smart Instruments for a Stupid Composer: How to Compose for Instruments that do not Exist." A workshop with Prof. Carmine Cella, presented by CIRMMT's Research Axis 4 and as part of Le Vivier's series of Interuniversity meetings, "Résonance croisée."
A workshop with esteemed composer and CIRMMT distinguished lecture guest Prof. Carmine Cella (University of California, Berkeley) on composing with augmented instruments, featuring live examples performed by Sixtrum Percussion Ensemble.
Workshop on Timbre and Orchestration Taxonomies
The first Timbre and Orchestration Taxonomies Workshop was held virtually 29–31 May. Organized by ACTOR Postdocs, Lindsey Reymore, Kit Soden, and Matthew Zeller, the workshop brought together eleven scholars actively working to develop a variety of timbre and orchestration taxonomies. Over the first two days, participants gave presentations using Maurice Ravel’s Alborada del gracioso as the shared reference for each method. This pluralistic approach brought up engaging questions and facilitated discussions about the unique qualities of each taxonomic system. The third day was devoted to group discussion and proved to be intellectually stimulating and invigorating for all.
Étudier le timbre et l'orchestration: rencontre de présentation du partenariat ACTOR
Nathalie Hérold organised a workshop, “Étudier le timbre et l'orchestration: rencontre de présentation du partenariat ACTOR,” Maison Interuniversitaire des Sciences de l'Homme Alsace, Strasbourg.
MAMuTh Workshop
This Timbre Analysis Workshop will feature talks by two of CIRMMT's new post-docs, Matt Zeller and Lindsey Reymore. If you've been curious about the ACTOR project, what our colleagues at CIRMMT do, or timbre analysis as it relates to your own music theory research, you won't want to miss this event!
Interenation Workshop on Haptic and Audio Interaction Design (HAID)
The aim of HAID 2020 is to bring together researchers and practitioners interested in exploring how the haptic and audio modalities can be used together in human computer interaction.