Eliot Britton integrates electronic, audiovisual and instrumental music through an energetic and colourful personal language.  His creative output reflects an eclectic musical experience, from gramophones to videogames, drum machines to orchestras. Rhythmic gadgetry, artistry and the colours of technology permeate his works. 

Nicole Biamonte has studied music theory, piano, and choral conducting. Before coming to McGill, she taught at Yale University, Skidmore College, the University of Texas at San Antonio, and the University of Iowa.

John Rea has lectured and published articles on twentieth century music and, since 1973, has taught composition, music theory and music history at McGill University where he served as Dean of the Faculty of Music (1986-1991), today the Schulich School of Music.

Martha de Francisco is a record producer and recording engineer (Tonmeister) specializing in Classical music. She is a professor for Sound Recording at McGill University in Montreal. An internationally acknowledged leader in the field of sound recording and record production, she has recorded with some of the greatest classical musicians of our time for the major record labels and in the best concert halls.

Associate Project Director

Project Coordinator

Project Director

Jason Noble is a composer and researcher whose work focuses on meaning in contemporary music. He currently holds a postdoctoral fellowship at the Université de Montréal, funded by FQRSC. Previously he worked as a postdoctoral researcher with the ACTOR project (Analysis, Creation, and Teaching of Orchestration). His PhD from McGill University was funded by the prestigious Vanier Scholarship (SSHRC).

Lindsey Reymore is an assistant professor of Music Theory in the School of Music, Dance and Theatre and co-director of the CACTUS Music Lab at ASU. Her research investigates the role of timbre—the perceptual qualities or characteristics of sound—in musical experience.

Yadegari is currently on the faculty of the department of Music at UC San Diego, and the director of the Sonic Arts Research and Development group and the Initiative for Digital Exploration of Arts and Sciences (IDEAS) at the Qualcomm Institute (UC San Diego's branch of California Institute for Telecommunication and Information Technology).