All Members, Collaborators Timbre and Orchestration Resource All Members, Collaborators Timbre and Orchestration Resource

Britton, Eliot

Eliot Britton integrates electronic, audiovisual and instrumental music through an energetic and colourful personal language.  His creative output reflects an eclectic musical experience, from gramophones to videogames, drum machines to orchestras. Rhythmic gadgetry, artistry and the colours of technology permeate his works. 

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All Members, Collaborators Timbre and Orchestration Resource All Members, Collaborators Timbre and Orchestration Resource

Rea, John

John Rea has lectured and published articles on twentieth century music and, since 1973, has taught composition, music theory and music history at McGill University where he served as Dean of the Faculty of Music (1986-1991), today the Schulich School of Music.

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All Members ACTOR Research Team All Members ACTOR Research Team

Dolan, Emily

Emily I. Dolan joined the faculty at Brown University in 2019. Previously, she held positions at Harvard University and the University of Pennsylvania. Dolan works on the music of the late 18th and 19th centuries. She focuses on issues of orchestration, timbre, aesthetics, and instrumentality, exploring in the intersections between music, science, and technology.

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All Members ACTOR Research Team All Members ACTOR Research Team

Tan, Anthony

Composer, electronic musician, and improvising pianist Anthony Tan (Canada) intersects notated instrumental practice with signal processing, synthesized models, sampling, and field recording, resulting in music that explores the identity of sound, and the fluidity of genre.

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All Members ACTOR Research Team All Members ACTOR Research Team

Tan, Daphne

Daphne Tan is Associate Professor of Music Theory. Her research explores questions about music and the mind, with methodologies and perspectives from the history of music theory and cognitive science.

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All Members ACTOR Research Team All Members ACTOR Research Team

Tenzer, Michael

Michael Tenzer is active as a performer, composer, scholar, and teacher. As an ethnomusicologist his four books and many articles address topics ranging from aesthetics to category theory, and has been instrumental in the recent revival of music analysis techniques in the study of world traditions.

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All Members ACTOR Research Team All Members ACTOR Research Team

Traube, Caroline

Musicienne et ingénieure de formation, je mène des recherches et enseigne dans le domaine de l'acoustique musicale, de l'organologie, de la psychoacoustique et de l'informatique musicale. Dès mon entrée en fonction à la Faculté de musique, je me suis engagée activement dans le développement de plusieurs secteurs académiques, de la composition électroacoustique à la musicologie.

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All Members ACTOR Research Team All Members ACTOR Research Team

Wallmark, Zachary

Zachary Wallmark is a musicologist with an interest in popular music, timbre, and music cognition. Prior to his appointment at UO, Wallmark served on the music faculty at Southern Methodist University, where he also held a courtesy appointment in psychology.

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Collaborators, Map, All Members University of California San Diego Research Team Collaborators, Map, All Members University of California San Diego Research Team

Yadegari, Shahrokh

Yadegari is currently on the faculty of the department of Music at UC San Diego, and the director of the Sonic Arts Research and Development group and the Initiative for Digital Exploration of Arts and Sciences (IDEAS) at the Qualcomm Institute (UC San Diego's branch of California Institute for Telecommunication and Information Technology).

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